Permissions

Looking Back – Moving Forward.

When Justin announced his plans in 2008 to resign his position at CSC and pursue his Master’s Degree it was a milestone.  One of those times when you reflect on the past.  His past, our past, our family’s past.

2001-camping007Much of his early life was documented in photo albums and boxes of snapshots taken over the years.  Justin’s milestone seemed a perfect time to assemble a ‘slide show’ and I began the process of looking through hundreds of photos and scanning the ‘few’ favorites selected to share.  We were looking back as he was moving forward.

We digitized some of the VHS home movies, and added selections of music that were meaningful to us through Justin’s childhood.

As the family gathered at the end of 2008 prior to Justin’s departure for South Dakota for Grad School, we played the DVD.  Ahh, such memories.  Everyone in the family shared a remembrance triggered by a picture they saw.

Then the tragedy of September 27, 2010. Our lives shaken by the news of Justin’s death.

As we prepared to lay him to rest, the DVD of his life story took on a new role.  The work of putting together a remembrance of Justin had already been nearly completed.  There was only his short time at Grad school missing. We decided not to change it all all.  We just set up a DVD player for the viewings and played his story for all family and friends to see.  Many asked for their own copies of the DVD to remember him or many suggested posting it on the internet so that anyone could see it.

Around the second anniversary of his passing, Terri and I revisited the thought of now retelling his whole story — life and death.  I set out on the task of seeking permission to use the copyrighted material in our tribute to Justin.

One of the tracks we used was “Adoro te devote” from the 1996 Christmas Chant CD by “The Benedictine Monks of Santo Domingo De Silos” released by Milan Records.  I found their website and an email address and dashed off my request. One down, five to go.

One of the snippets we used was from the opening credits from the Walt Disney movie “Winnie the Pooh and the Blustery Day” — one of Justin’s favorite movies as a young child.  We practically wore out the VHS tape.  He was our “Tigger” and would bounce around the house singing the “Tigger” song.  One of my fondest memories is an audio recording of him singing his version of the song, unrecognizable as such by some, but cherished by us.  I embedded this in the DVD with the Disney soundtrack as underscore. Well, searching the Disney websites I found their ‘copyright’ policy.  All requests for synchronization rights (what we were asking) must be submitted in writing.  Thinking our request was a bit of a longshot and prepared to pay almost any fee that they would have prescribed, I dashed off my letter in writing, signed, sealed in a #10 envelope and USPS postage applied.  Two down…

I was then interrupted by a new email notification.  It was from Milan Records granting our request to use the chant music.  This was just a short while after I sent it on a Sunday afternoon with a moving personal note included from the Chief Operating Officer of the company.

Other requests were sent as well and I turned my attention to revising the DVD adding the last chapter.  In case we did not get permission to use all of the tracks, I began my search for suitable replacement music from a couple of the production music libraries I’ve licensed.

Doug Jackson_In Memory Of_Winnie The Pooh and The Blustery Day ScoreA couple of weeks passed when I was surprised to find another email in my inbox from this time from Disney. It was a note from the Assistant to the Executive Director of Licensing granting us a ‘gratis’ license to use the Disney score.

Terri has posted the tribute video of Justin’s life on her blog ‘back of the northwind.com’.

A Day at Monster Racing

Back in May of 2012, we had the pleasure of visiting with our son, Ryan, at Monster Racing* Excitement at the Dover International Speedway in Dover, DE.

“What in the world is Monster Racing Excitement?,” you may be saying. Co-Founded in 1995 by legendary NASCAR Stock Car Driver Reds Kagle and his partner Sonny Kruhm, Monster Racing brings the fan “out of the stands and onto the track.”  From the Monster Racing website we read:

Monster Racing allows you to get behind the wheel of a genuine stock car and experience first hand what it is like to be a real driver taking on the Monster Mile®.

Their programs include a variety of Ride Only, Drive or Ride & Drive packages.  Participants can also get professional photos taken of them in the car and can also order their actual In-Car video DVD of their drive as a souvenir.

Ryan was gifted the opportunity to experience the Ride and Drive package and we made a “Family Day” of 100_4064_slide_scaleit with his Mom and Dad, and some of his Aunts and Uncles joining him at the track.  In fact, his Uncle Ken has been working with Monster since its founding.

The whole Monster Racing operation is top notch.  They run two shifts, morning and afternoon.  We were in the morning.  They’ve got the whole experience well orchestrated from the moment you arrive.  Drivers get an Driver Orientation in a van driven around the track by one of the professional drivers.  They go over the rules of the track and what to expect.  Then you get suited up in protective gear.  Go for your Ride (if part of your package). Then you get another Driver Meeting prior to taking the wheel.

I was able to shoot some video of the day.  I had three HD cameras on hand.  My Panasonic HMC40, Panasonic Lumix GH2 and a GoPro Hero2.  Since we wanted to keep all the footage in HD, we swapped out the Monster video SD camera for the Lumix for the In-Car video.  We mounted the Hero2 on the side of one of the cars using a suction cup system.  Unfortunately, the speed and vibration proved to be too much for it and we had to stop the entire event temporarily while the staff went out on the track to retrieve “debris on the track” and collect the camera.  It survived with only some minor scratches.  But, we got some really good footage.

Terri going for a Ride
Terri going for a Ride

After Ryan’s ride, we had to see if he’d fit in the number 25 car, which had already been rigged with the Lumix camera.  It would have thrown a proverbial wrench in the works had he not fit.  But, fit he did and was all set to drive.  Once loaded, off they went and he did terrific.  By the time he took the white flag, they were zipping around the track pretty good.

The whole day proved to be grand fun. “Mrs. J” even took a ride — Well actually two rides.

Due to my crazy work schedule, the post event video editing was done “catch as catch can” but began in earnest as Christmas was approaching.  I thought it would be a nice gift for Ryan.

Well without further ado, I’m happy to share “A Day at Monster Racing.”  This is a rather large file so it may take a while to download, depending on your internet connection.   If you want the full 720p HD version, you can click on this link (NOTE: 1.13GB): A Day at Monster Racing (720p)

UPDATE: We were sorry to hear that Monster Racing has closed up shop in Dover, DE.

Farewell for now, Deacon Mike

On Oct 30, we were notified at church that our good friend and long time permanent Deacon, Rev. Mr. Michael Misulia Sr. had passed away early that morning. He was 93 years old.

Deacon Mike had served the St. Peter’s community for 33 years as a Permanent Deacon.  Although I had known about Deacon Mike for years, having been at St. Peter’s since 1991, it wasn’t until the summer of 2006 that I had the chance to learn more about some of his accomplishments.  In June of 2006, my bro-in-law, Ken Dyer and I embarked on our first video project collaboration and had the pleasure of interviewing Deacon Mike for the “FireStories” project.  We sat with Deacon Mike after the Saturday evening Mass out by the previous location of the statue of St. Peter, the site of the original church building that was built in 1821.

Interviewing for the FireStories Project-2006

Although for the “FireStories” project we edited our interview, I’m going back to the original tape and re-editing.  I’d like to share more of what we learned with others.

You can view the Homily by Fr. Jesse Bolger and Reflections by Msgr John from the Funeral at the St. Peter website.

 

Dusting off the “Stations of the Cross”

In the mid-eighties, I discovered what many Roman Catholics had meditated on for hundreds of years.  Especially during the liturgical season of Lent, leading up to the great feast of Easter, in a tradition attributed to St. Francis of Assisi, many meditate on the “Via Crucis” or the “Stations of the Cross.”  What began with pilgrimages to Jerusalem to retrace the steps of Jesus on His “Walk to Calvary” were converted to a chapel meditation by creating sculptures or pictures of the scenes along the way.

Station IVThe traditional “Stations” include:

  1. Christ condemned to death;
  2. the cross is laid upon him;
  3. His first fall;
  4. He meets His Blessed Mother;
  5. Simon of Cyrene is made to bear the cross;
  6. Christ’s face is wiped by Veronica;
  7. His second fall;
  8. He meets the women of Jerusalem;
  9. His third fall;
  10. He is stripped of His garments;
  11. His crucifixion;
  12. His death on the cross;
  13. His body is taken down from the cross; and
  14. laid in the tomb.

As I experienced my first observation of the meditation, I found myself quite moved.  Having been a Christian for most of my life and having what I felt at the time was a fairly good relationship with Jesus, experiencing the “Stations” brought to life the passion of our Lord.  I was walking along with Him to the Cross; I could hear the jeers and tears of those who followed Him; I saw the executioner drive the nails into his hands.

Well, that Easter came and went and life went on.  My interest in the “Stations” was rekindled when one of the priests at the church we were attending published a booklet called “Mary’s Way of the Cross” in which he told the story of the “Stations” through the eyes of Jesus’ Mother — who we are told in scripture was there with Jesus at His Crucifixion.  He was able to show in a beautiful way, a mother’s love for her child.

As I continued to reflect upon and study the “Stations,” I too, was inspired to “take pen in hand” (well, actually, it was an early word processing program on my new ‘Personal Computer‘) and attempt to expand some of the stories of the “Stations.”  I wanted more to know what Jesus had endured for our sake.  I tried to empathize with those who Jesus met along the way.  What would Simon of Cyrene have been thinking when pressed into service by the Romans to carry the Cross?  How about the Roman Centurion? Joseph of Arimathea? Nicodemus?

Stations ManuscriptA few sketches began to take shape, but it was not until I was on an extended, multi-week training session in Rochester, NY for my former employer, Eastman Kodak, that I devoted a concentrated amount of time to writing.  Upon my return, I shared my reflections with Fr. Mike Woempner, another of the priests at St. Mary’s in Annapolis at the time.  He was very encouraging to me and immediately wanted me to make plans to share with the community for Lent.  Well, it would be too much in such a short amount of time to put together the ‘cast’, gather musicians, rehearse the songs, etc.  So what we did instead was pre-record the songs and voices and we would simply have the Narrator ‘live’ at the presentations.  I had thought at the time an accompanying slide show (yes, that would have been the 35mm, 2″x2″ in the round trays type) would be an nice addition, but that did not come to fruition.  Thanks to several music minister friends at the parish, we were able to get the songs recorded.  I had other friends and family record the voice dialog.  I was doing the final editing of the 1/4″ reel-to-reel tape just hours before the presentation. But we managed to get through it and it was well received.

I continued to revise and refine the work, when ‘life’ allowed.  There have been a few parishes who have presented it over the years.  I added some choral arrangements of the traditional “Stabat Mater” and “O Sacred Head” hymns as well as choral parts for the songs.

Station One from St. Peter the Apostle, Libertytown, MD
Restored “Station One” at St. Peter the Apostle, Libertytown, MD

When we moved to Carroll County, we found our new church home at St. Peter the Apostle in Libertytown, MD.  The church was constructed in the late 1800’s and had beautiful Mayer stained glass windows, a painted Crucifixion scene that hung above the sanctuary and some cast plaster “Stations.”  I spent hours looking at, and meditating upon the sculptured “Stations.”

In 2002, I had the honor to direct the presentation of the “Stations” at St. Peter’s.   We used a combination of live musicians and computer-driven instrumental accompaniment tracks.  So many good friends and family shared their talents.  My son, Justin played both trumpet and flute.  Ryan, our youngest, handled sound effects and recording duties.  My dear wife, Terri, was one of the narrators.  The kind comments following were humbling.

When we suffered the loss of our church building in 2004 due to a construction accident, I was relieved to hear the Stations had survived.  They were restored, accented, re-framed and installed in the new church building dedicated in 2008.

We’ve been asked to present the “Stations” on Good Friday of 2011 and so we are dusting off the music and preparing for rehearsals.  I’m afraid the presentation this year will be bittersweet, though.  We will dedicate this presentation in memory of Justin and in the memory of Cindy Getsinger.

“Stations of the Cross”
April 22, 2011
7:30 PM
St. Peter the Apostle Church, Libertytown, MD

Saint Cecilia, ora pro nobis